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Miguel walked out of her office into the Buenos Aires afternoon. The sky over the Avenida de Mayo was a sharp, impossible blue. He looked at his phone. A message from his younger sister, who had just started her first year: "Help. How do I do the portada for my PoliSci paper? The teacher is super strict."

He turned it in. And waited.

"Sit down," she said.

He spent a week in the National Archive, digitizing a 1978 photograph of the Avenida de Mayo under military rule—empty, ominous, the Cabildo fading into a sepia smear. He overlaid it with a translucent 2023 shot he had taken himself: protesters, street vendors, a child flying a kite. The two images, when blended, created a ghostly double exposure. The old, haunting the new. The new, defiant against the old.

For three years, Miguel had obeyed. His portadas were gray tombstones of data. He passed, but he never felt pride. portadas para trabajos universitarios

She paused. Then, for the first time in four years, Miguel saw her smile.

"Yes, doctora."

"Did you think," she interrupted, "that I impose those rules because I am a bureaucrat? Because I hate beauty?"