Now he is twenty-two. He sleeps in a storage unit behind a strip mall. His face is gaunt, his teeth are rotting, and his arms are a roadmap of collapsed veins and infected tracks. He does not play guitar. He does not read books. He does not remember the name of his third-grade teacher, the one who told him he could be a writer.

The saddest part? Liam is still alive. But the boy he used to be—the one who laughed too loud, who loved too hard, who dreamed of playing guitar on a stage—that boy died a long time ago. He just forgot to stop breathing.

Somewhere, in a high school auditorium, a boy like Liam is sitting in the back row, already wondering what it would feel like to disappear. And somewhere, a mother is setting the table for a son who will never come home.

His name was Liam. Or at least, it used to be. Now, when people in town whisper about him—if they whisper about him at all—they just call him “that boy.” The one who used to have it all. The one who threw it away.

He dropped out of school three months before graduation. The scholarship to the state university, the one his teachers had cried over when they wrote their recommendations, was revoked. He stole his mother’s wedding ring from her jewelry box—not out of malice, but out of a cold, mechanical need that had replaced his soul. He pawned it for forty dollars. He shot it into his vein in a gas station bathroom.

The tragedy of Liam is not that he became an addict. The tragedy is that he became a stranger to himself. He lost his name, his laughter, his dreams, his future. He lost the sound of his own voice telling a joke. He lost the ability to feel the sun on his face without needing something chemical to make it real.