Sigourney Weaver Snow White |verified| May 2026

It’s the Snow White story where you actually root for the stepmother—if only to see what terrifying thing Weaver will do next.

While Disney’s animated Snow White remains the definitive version for children, Sigourney Weaver’s A Tale of Terror holds the title for the most frightening live-action take on the material. In a recent interview, Weaver reflected on the role, saying she enjoyed playing a woman whose vanity literally consumes her humanity. sigourney weaver snow white

So, the next time you hear “Sigourney Weaver” and “Snow White” in the same sentence, don’t picture the actress in a peasant dress singing to birds. Picture her in black velvet, staring into a mirror of nightmares, whispering, “I will have her heart.” It’s the Snow White story where you actually

For audiences accustomed to Weaver as the stoic, flame-throwing hero Ellen Ripley in Alien , casting her as a vain, jealous queen was a surprising but brilliant move. In A Tale of Terror , her character is named , not the traditional "Queen Grimhilde." Claudia is the beautiful, icy new stepmother who marries a widowed lord (Sam Neill) and grows dangerously obsessed with the magical heart of a forest creature that grants power. So, the next time you hear “Sigourney Weaver”

In 1997, Weaver took on the role of the wicked stepmother in Snow White: A Tale of Terror , a dark fantasy horror film produced by Universal Pictures. Directed by Michael Cohn, the film reimagined the classic fairy tale through the lens of a psychological horror story, heavily inspired by the Brothers Grimm’s original, darker narrative.

Before Kristen Stewart’s archery or Rachel Zegler’s high notes, there was a version of Snow White that could have been a gritty, gothic thriller—starring none other than Sigourney Weaver as the Evil Queen.

Weaver brought her signature intensity to the role. There are no magic mirrors singing in a velvet voice here. Instead, the mirror is a grotesque, living bronze face that whispers Claudia’s darkest desires. Weaver’s queen doesn’t just cackle—she seethes. Her transformation into the “old peddler woman” is genuinely disturbing, relying on practical makeup effects that give her the wrinkled, haggard look of a witch.