Saregama’s CEO, Vikram Mehra, has played this game masterfully. He understands that for a global streamer, Old Hindi music is not a niche—it is the second most streamed genre behind current Bollywood. Without Saregama, Spotify is just a podcast app.
Consider the When a Bollywood film flops, its music disappears from the charts. But the Saregama catalog grows every year. A child born in 2020 discovering Sholay in 2030 will stream "Mehbooba Mehbooba." Saregama gets paid for that. Every time a politician uses "Mere Desh Ki Dharti" at a rally, Saregama gets paid. saregama
By flexing its muscle, Saregama has secured better revenue shares than smaller labels, creating a two-tiered market where the past is actually more valuable than the present. As we look at the landscape of 2026, Saregama faces its most paradoxical challenge yet. The rise of AI voice cloning tools means that any teenager can now make a "new" Kishore Kumar song. Saregama has responded with a blitzkrieg of lawsuits and a proprietary "Artist Protection" protocol. Saregama’s CEO, Vikram Mehra, has played this game
Furthermore, Saregama has finally embraced the remix culture it once despised. Recognizing that a bad remix of a classic brings attention back to the original, the label now licenses its stems to EDM producers in Mumbai and Los Angeles. It is a delicate dance: preserve the heritage, but cash the check. Walking through the Saregama office is a disorienting experience. In one corner, a 24-year-old social media manager is creating a "Lofi Beats to Study to" playlist featuring 1950s jazz. In the other, a preservationist is manually cleaning a master tape of a Pankaj Mullick song from 1939. Consider the When a Bollywood film flops, its
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Saregama’s crown jewel is its catalog. They own the rights to the works of Kishore Kumar, R.D. Burman, Manna Dey, and a massive chunk of Lata Mangeshkar’s vocal cords. While new labels like T-Series fight over the remix rights to a Punjabi pop song that will die in six months, Saregama plays the long game.
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