The vision was stronger. She was standing on a wet cobblestone lane. Fog clung to the ground. Ahead, through a wrought-iron gate, she could see a garden. But it was a wrong garden. The flowers were all the same shade of crimson. The trees had no leaves, only bare, twisted branches. And in the center, on a stone bench, sat a man in a gray coat. He was young—maybe thirty—but his eyes were ancient, tired, and full of a loneliness so vast it felt like a physical weight.

He looked up. His mouth moved, but no sound came out. Then he pointed to the ground at his feet.

Not in love, which her mother said was a "beautiful, temporary madness." Not in memory, which her father had lost to a slow, cruel fog before she turned sixteen. And certainly not in flowers. She had worked at Petals & Pages , a cramped, dusty bookshop that also sold fresh-cut roses, for five summers. She knew the truth: a rose was a three-day miracle. By day four, the petals went soft as a bruise. By day seven, they curled inward, crisp and brown, like tiny, withered fists.

She pricked her finger again.

Nona took Elara’s hands. Her grip was surprisingly strong. "Because I'm dying, child. And someone needs to find him. Before the garden closes forever." That night, Elara sat in her tiny apartment above the bookshop, the rose in a glass of water it didn't need. She studied it under a magnifying glass. No preservative. No coating. It was simply stuck . A moment of perfection, frozen.

Elara knew the story. Her grandfather, Leo, had not died. He had vanished one Tuesday morning in 1962, leaving a half-finished cup of coffee and a note that said only: I have to go find it. I'm sorry.