She began to paint.

But she did not paint a photograph. She painted the feeling of the moment. The fox became a swirl of burnt sienna and raw umber, her shape only half-defined, as if still emerging from the woods. The butterfly was a simple slash of cadmium orange, more a question than an answer. The background was not the real clearing but the memory of it—layers of translucent green and shadow, with tiny, scratched-in highlights for the light that had filtered through the pines.

The fox, of course, did not return. But that was fine. Elara had already learned its oldest lesson: you do not capture the wild. You only, if you are very lucky and very still, earn the right to carry a small piece of it home with you.